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1996 Galerija Kroata

GALERIJA KROATA

STUDENI 1996.

K R A J O L I C I

Unosenje ljudske svijesti u krajolik uvijek je otvaralo mogucnost vezivanja za inspirativni slikarski motiv koji kod koloriste Sinise Culara stvara trajno nadahnuce. Vrlo rano u svojim radovima slikar vec drzi otvorenim pitanje pripadnosti figurativnom ili apstraktnom. U djelima na ovoj izlozbi vidljivo je udaljavanje od asocijativne stvarnosti i prihvacanje nefiguracije. Ipak ponekad prelazi granicu koja ga je odijelila od predmeta i nehotice u blagim reminiscencijama hvata odbljeske nekog dragog krajolika. Boja je element koji ga najvise zaokuplja i na njegovim platnima moze se pratiti erupcija kolorita.Vjesto nas vodi po liticama svojih traganja i odvlaci u otkrivanje novih odnosa boja. On slika cistim bojama u sirokim plohama pojacavajuci intenzitet slaganjem gama komplementarne vrijednosti. U tome ide jos dalje i pastoznim namazima zgusnjava dojam. Dakle,pastozna faktura i boja kao snazno izrazajno sredstvo u svojoj zivosti cine da su kompozicije slika vrlo dinamicne. Ponekad on smiruje kompoziciju i unutrasnji prostor slike gradi postupno,odlomljenim plohama boje,isticuci njihov vizualni razmak grubim zavrsnim potezima kista. Smionim rukopisom i svjetlosnim karakteristikama boja otvara cudesne,nove prostore otkrivajuci svoj slikarski temperament.

Nada Fiskovic

LANDSCAPES Implementation of human consciousness into the landscape always opened the possibility for connecting to the inspirative painting motive that makes permanent inspiration for a colorist such as Sinisa Cular. Very early in his works painter holds opened question of belonging to figurative or abstract. In the works on this exhibition it can be seen distance from associative reality and acceptance of nonfiguration. But sometimes he passes the boundary that separates him from subject and unintentionally in mild reminiscences he catches the flashes of some precious landscape. Color is the element that engages him the most and can be followed with the eruption of colorit on his canvases. Skillfully he guides us upon the cliffs of his search and drags us into the disclosure of new color relations. He paints with clean colors in the wide areas amplifying the intensity by adding the gram of complementary value. In that, he goes even further, and with heavy paste layers he concentrates impression. So, heavy paste fact and color as a powerful meaning of expression in its aliveness makes very dynamic paint composition.Sometimes he calms the composition, and internal space of the picture is built partially, with separated areas of color, emphasizing their visual gap with rough ending brush strokes. With courageous handwriting and luminescent paint characteristics he opens amazing, new spaces revealing his painting temperament. Nada Fiskovic